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Poems by ISPS Members April 2002 |
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More ISPS Poems
Still Discovering the Wheelby Glenna Holloway
WCWby Richard OberbrunerDrunkby William Marr
Turning Pointby Pat Petros
In the Shadow of the Designby Susan B. Auld
Warby Bob McCarthy
Bacon Sandwichesby Sister Meg Holden, FSP
Design for Livingby Tom Roby(Tao Te Ching, XI)
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Thirty spokes Share one hub. The use of the cart Depends on the part That is void We knead clay To shape jar walls. What it will hold Inside this mould Lies in emptiness. Cut windows and doors To craft a house. The sweep of a broom Will need enough room Walled within. From everything We gain. What isn't there Makes the difference. |
*The morphing is three fold: the title and design of the poem are mine, and I made the translation in a Taoist spirit from all the translations I could find. |
Through my picture window there resides a massive bank of fir. I watch it often, from my couch, Yesterday, there was a winter storm, and piles of snow obscured the green, and the branches toward the ground were bowed. Today the skies are blue again, and with the sun the heavy clumps of snow fell further, fainting, to the ground below. The branches bobbed and rose again, and bounced as waves upon a shore, with mirth, tossed and jostled by the silent wind. So goes my life. There are times when heavy snow holds me down too. Every limb is pressed upon until I stagger, then stand still, waiting for a better time when I shall be released. Then, just as I thought that it could never be, the weight drops off, and leaves me free to move again. As with the silent wind I dance, as supple as that bank of greenery. |
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His unwilling knees bend, and he kneels in wet grass, pushing into the moist dirt of her grave, methodically, with precision, as if it were a drafting lesson, flowers that abound on the grounds of Taliesin: dahlias, zinnias, Queen Anne's lace, adorning her unmarked earthen crypt with colors of morning, the scent of fresh day lilies. This is as frilly as the clean lines and pleasing proportions of his golden mean will ever get, and yet never does he Victorian a place with such fervor as when he presses her nasturtiums into the ground around where her face will rest. As he lines her grave with their garden in the rain, parallels and perpendiculars of his rectilinear world gone amuck, pain spreads like a coffee stain, brown on the blue lines and angles of his mind. |
Why do all these thousands of sharp arrows Came together in one bundle and, Pierced me with vengeance? Or these arrows unexpectedly paying respects To my feet of a "Guru" In the great tradition of India. Realization came to me in a flash That I should be that "Drona," The mighty warrior--teacher of India. The past lives of mine are projected In front of my eyes one after the other Every Hindu has many lives before this one. Who am I in this live? The arrows are digging open The memories from the deep depths below. Who is this unbelievable champion archer? Who is this unparalleled sharpshooter? To one and only I taught This secret of special skill in archery That was to "ARJUNA," The epic hero of "MAHA BHARATHA"-- The greatest civil war in India. "Arjuna"--my dearest pupil--my blessings to you. But alas! "Pandavas" the warring faction is no more How could "Arjuna" be alive? All have passed away-- Including me--"Drona." From the memories filled past lives And the present half sleep state, Who could have dared to wake me up? Except my own dreams! When I was engrossed in my thoughts Singing in a make-believe world, Early in the chilly dark morning, As I walk with my bare feet-- Icy cold water droplets began biting me. On the pillows of fluffy Rabbit ear tender plants, In the middle of Kissing, hissing, soft sounds, Enjoined in an embrace, In the trance of half sleep, After the tender love act, The sweet green grass shoots and The plumpy water droplets Are taking a deep nap Without a twinge of a body movement. Tender grass blades Drenched in faint wet dreams Are giggling merrily Reflecting in the darling droplet's face. When the drowsy droplets Engaged in the sweet loving conversations, While entwined in beloved's embrace. A thunderbolt unmercifully Shattered the tranquil love scene. O! Cruelty!! You have no mercy. Would not the droplets come together As thousands of icicles to attack? Would not the grass shoots Sharpening their edges Come together in bundles of arrows? When they were trampled harsh And crushed hard. I feel guilty For walking on them Without knowing That they are in the act of love-making. I am graciously pardoned By their lovers compassion for Not transforming themselves Into real dark scorpions To bite me with their poisonous stings. Thank God I am left alone Without any harm. |
You're looking well.
Why shouldn't I? I was only 20 when I was shot. And you--I can't believe it. You look so.... Old? No. Grown up. You're dressed like someone from a magazine. The skirt, the--What are those boots? Emu. An emu is like an ostrich, but not so tall. A friend in Australia had them made for me. How'd you get here? Heart Attack. Or did you mean why am I here, rather than...? Heart attack, huh. I thought only men had heart attacks. Not any more, if ever. And why are you here? I mean, you weren't all that good. You slapped me around. You kept me from talking to student wives. And you were rather racist. Yeah, that's the funny thing. If I hadn't been racist, getting killed saving that Black kid wouldn't have landed me here. The rules are as crazy here as anywhere else. What happened to you after? You left me in a hell of a spot. No money, no job, no education, and a six-month-old baby. Mom kept Joey while I went to school and then got a job as secretary with a publishing house. The pay was lousy, but there were lots of interesting people around. I started reading the books they published, and thought I could write better ones myself. With encouragement and a few hints from my friends there, I wrote The Cougar and the Countess. One of the editors liked it, and they published it. It ended up on the best-seller list, and so did six of my later books. You mean there's a list of the top-selling books, like there is for movies? Yes, that's right. And one of my books, Kabbalah and the Chorus Girl, was made into a movie. I wrote the screenplay. But what about you? What have you been doing here? Oh, I'm in a state of grace. I just sit around. You mean you don't --progress? Why should I? I'm already here. So we're back together again? For eternity? Yeah, that's the way it works here. You, know--Bound on Earth, Bound in Heaven. |
"Hey! You! Why are you wandering?" "Nay! Nay! I am just wondering!" "Have not told me the name of you" "Want to but all too mute!" In this maze of nine way house House to house counting doors Under ground floors beyond pyramids The room's numbers exceed myriads Watching the games of 'vit and Mort' Trying to cognize the tongues of the shadows Scopes I can never be and the slopes never see "Once I am the ruler ruled" My citadel, standing on the seven high hills Mimicking Rome may feel severe chill! If water finds it's level and fire its heights The 'Vit' offers a score of claps to 'Wit' You are my tent where philosophy whispers The age less quest knows no shores Seasons cycle by while you gaze at sky I am the flare in the hair and the sweep of the brush Land and ocean scapes life that flush I am the swing in the song full of notes Zigzag gaps that tied with knots I am the roar in the rear of the cloud Sure lurking spark in mating streams My love began before my tongue I now recall the potter's song I am Which startled the silent stars Member me dear! Remember me! You and I! Inclusive 'We' We both remain in each other's hold Finding the level and height at once told. |
I shake my fist at you, two-faced demon sky. I despise your deceit, your cerulean passivity, the cheerful face you turn to the earth today, the way the sun smiles down warmth. You should darken your visage, match the surreal sorrow, the fear, weighing us down. You should thunder anger against all perpetrators of hate, of vengeance, against killers of innocents and their dreams, rain down tears of remorse for your complicity, letting planes lay ghost tracks through you, ride them like rails into structures of so many lives. |
There is a man walking behind me on Wood Street in Chicago. He can't know my heart hums a surging theme from Movement 1 of Mahler's Tenth. He can't know why I am walking on Wood Street in Chicago. And why am I? It takes too long to think about. Who is this man behind me, walking? What flavors his feelings? What burdens does he carry? What song is in him? I somehow am this man walking on Wood Street in Chicago. I am his walkingness behind me, his grapplingness with his day. I can only know my own form but he and I are breathing of the same Breath. Mahler's Tenth plays on within me as I enter a building. The man continues along the street paying absolutely no attention to me, this man walking on Wood Street in Chicago who I am. |
Copyright Notice: Copyrights for all of the above poems remain with the individual authors. No work here is to be reused without permission from its author. |